Showing posts with label reading for pleasure. Show all posts
Showing posts with label reading for pleasure. Show all posts

Friday, November 18, 2011

Reading for Pleasure: Book Talk Courtesy of The New York Times


The ideas that come out of The New York Times' Learning Network are sometimes hit-or-miss, but the ones in the link above are really quite useful, especially if you're trying to get young people to realize that there are as many different ways to respond to books as there are books.

It's always satisfying to have an institution like the New York Times resonate with what you've always practiced as an educator; such is the case with Book Talk Podcasts!

Thursday, November 17, 2011

NJASK Workshop Materials Critique

I wanted to chime in on the NJASK materials passed out during our last department meeting—to be honest, there was a vast amount of material and while most of it was insightful, not all of it was entirely helpful.

Let me qualify this post with the main issue that I take with any workshop—there’s rarely an opportunity for follow-up either because of the number of attendees enrolled, or because it’s a “one-shot deal” lasting only long enough for attendees to get their hours “certificated.”  Usually, if there are questions or problems with what was learned, it can be nearly impossible to resolve them…at least not until the next workshop date.

I’m a firm believer in degree programs for purposes of professional development (and of substantively furthering one’s personal and professional abilities), and whenever, wherever, and however possible, of creating PLCs (professional learning communities) and using these to foster professional growth.

Now that that’s out in the open, let’s get to these NJASK workshop materials!  Just to make it easier for everyone, I’ll pick out salient points from each of the stapled handouts, and, where applicable, I’ll note caveats not found in these materials and the like…

“Conferencing with Students to Maximize Their Writing Achievement”: That there is a whole section of the materials dedicated to conferencing with students about their writing is especially important; where I would caution people from buying too heavily into what’s on offer within, though is the notion of “Teaching the writer, not the writing.”  The whole idea of giving feedback (i.e., conferencing, I.M. Revision Conversation, Author’s Chair) is to point out strengths and weaknesses in writing—essentially, so that we can have grist to teach how to parlay the former into greater successes and as regards the former, in how to avoid the many pitfalls that await young writers.  Sometimes finding out your writing isn’t perfect and needs more work hurts (ironically, empty praise also hurts); trying to avoid this pain by navigating around what’s popularly considered “being negative”* only forestalls what the young writer will discover for him/herself in the future, and honestly, is not best practice.

*The concept of “being critical” only takes on a pejorative standing and negative connotations for those who focus solely on the points of weakness; true criticism is also celebrating about what works within someone’s writing.

“Understanding the Architecture of the NJASK”: Although it’s stated in other sections of the NJASK workshop materials, the concept of “unpacking” a question to students—in addressing all parts of a question—is an important one.

“Core Best Practices in the Teaching of Reading”: The effective best practices in literacy instruction (read alouds, think alouds, shared reading, guided reading, independent reading), practical classroom practice of comprehension strategies, and tips for teaching fluency are only of any significance if one actually knows what they really are, and how and when to implement them in the classroom.  Thinking that any of these is as obviously defined by its qualifier is much like thinking “butter” is qualified by “peanut”…or something equally as silly and irrelevant. 

“Implementing Cross-Curricular Reading and Writing to Deepen Literacy Learning”: Two quotes here are questionable: There is a great deal of data suggesting that improvements in writing will have a payoff across the curriculum” and “Likewise, there is a great deal of research that sharing the responsibility of building effective readers and writers will yield greater achievement across the disciplines…”  Does anyone else think it’s a little elliptical for a teacher’s workshop (where it’s commonplace to cite one’s sources for best practice methods presentation) to not have the references included in the packet?  I do, especially because there is a great body of research that is a little more than “suggestive” about the gains to be had from cross-curricular instruction, which involves much more planning and forethought than can be found in the stapled pages of Schillinger Educational Consultants.

“Core Best Practices in the Teaching of Writing”: The suggestions for writing openings/leads for narrative writing are really useful.  The types of conclusions, while being helpful just for listing them in one place isn’t so useful as the section on openings as actual examples are called for, not citing books where the endings might be a little more than a little fuzzy in everyone’s memory.  Banishing boring words, using literary devices, parsing out components of persuasive writing are all spot-on necessary. 

But here is my second gripe with all of this material:  If it were September and an educator were exceedingly ambitious, s/he might be able to incorporate a sampling of what’s proffered in these pages into his/her instructional paradigm.  As it is, it would take anyone who was really and truly interested in actuating these practices in the classroom at least two years to try out what works for him/her and his/her students.  Sometimes when you throw everything at the wall to see what sticks, it all just becomes a high holy mess, as my grandmother used to say. 

“Starting Early: Getting a Jumpstart on Preparing for the NJASK”: There are two sections here that I think are helpful: one, that there is an actual quote that goes “Even if you cannot think of real experiences that apply to your life, make them up” and two, the acronyms pneumonic for addressing parts of open-ended responses.  Regarding the former, it’s so obvious to any teaching adult that no one in Trenton’s going to know whether or not the experiences students are asked to provide (text-to-self) are real, yet for students—who oftentimes excel at prevarication and equivocation for reasons all their own—lying on paper to a stranger they will never meet seems inconceivable.  Regarding the pneumonic, it’s been different in every school I’ve taught at, but there are always four parts, and whether it’s R.A.C.E., L.S.A.Q., R.S.S.E. (restate, support, support, extend), or Q.A.S.I., so long as students understand they don’t have to write a paragraph in response to each, any of these work fine.  I also thought the six ways to begin a piece of writing were really clever.

Utilizing 6+1 Traits to Improve Student Writing: More than any other section of these NJASK workshop materials, this is what I believe to be the most valuable and useful from front to back.  The only reservation I have is that of the different quick check cards for students' writing--these would be exhaustive to do in one go, or even over the course of a week, week-and-a-half.  It would be far more useful for students to put some of their drafts into their Writer's Folders and work on other prompts so that students could return again to their previous drafts with fresh eyes (and replenished wherewithal to see their writing through to completion).  Funny (and not "haha" funny) how none of these materials mention the process of creating an instructional paradigm of working through from brainstorming to drafting to publishing (not even that, really)--they only give discrete tip and tricks for this sub-process or for that sub-process.  Sort of difficult to create an instructional paradigm from bits and pieces, no?

“Succeeding on Open-Ended Questions
: I don't know why I saved this one for last as it's the most useful.  By the way, the last two pages of this packet should smack of something you've seen/read/heard before: me talking ad nauseam about my Literature Responses, how Do Nows should relate to whatever text you're reading, how important it is for students to have a Writer's Notebook (i.e., journal), etc.

Wednesday, November 9, 2011

Reading for Pleasure: Podcasts for Getting Hooked on Books


Grade Five is officially off and running with the Book Talk Projects, Mrs. Testa expressed interest in having her students view my own Book Talk Podcast, so it might do everyone well to think about what's out there to read that students might want to dive into.  Ideally, I'd love to have entire classes of students doing their own podcasts about "What books are hot and what books are not!"--sort of an interesting self-perpetuating cycle of students' reading producing social memes that would prompt their peers to read.  This might be a nice option to have "on the menu" for next year.  

For the present, however, if anyone (teachers, students, parents) is having difficulty figuring out what students might want to read that is "of and in the moment" s/he can pick and choose from the podcasts here--the above screenshot is for grades K-5, the one below is for grades 6-12.

Thursday, November 3, 2011

Reading Strategies III: Using The New York Times Blog to Model and Teach Non-Fiction/Current Events

Previously, I had posted about using The New York Times Blog, but after thoroughly exploring it, I can really recommend it to anyone teaching current events and wishing to teach genres like autobiography, biography, journalism, op/ed pieces, or just getting to know the ins and outs of non-fiction.  According to recent studies, many students have trouble with non-fiction as many schools can't afford a school-wide (or often even a class-wide) newspaper subscription or choose to focus their budget funds on fiction texts.  The NYT Blog is a great way to circumvent this by incorporating your SmartBoards and the blog itself... 

If you look on the right hand pane in the image below, you'll see there are actual lesson plans for your use, quick quizzes for students and places for them to share their ideas, pretty of-and-in-the-moment ideas for essays, and even actual lesson plans for some of the most frequently taught Shakespeare plays.

 

Friday, October 21, 2011

Reading for Pleasure: Book Talk Project Documents

Here are the documents I used when assigning Book Talk Projects.  I also had a sign-up sheet where students were required to commit to a book for the duration of the project's time-arc, usually about every five or six weeks they had to do a new Book Talk Project.  I also wanted to distinguish between the actual presentation of the "talking" part of the Book Talk from the "project" part.  The directions and rubric for the project are pretty clear about each.

N.B.: I did want to highlight that these aren't the district's official documents, but my own--feel free to modify them to suit the needs and ability levels of your own students.  If anyone would like to collaborate on something in this area, please e-mail me...

Reading for Pleasure: Book Talk Podcast

I realize I might be getting just slightly ahead of myself, but seeing as how the notion of pleasure reading has already been broached (Back-to-School Night), I wanted to post a model project that I did when assigning Book Talk Projects.  I'll also post the actual documents for Book Talk Projects soon (and, as always, feel free to modify and tweak as needed for your own classes), but for now I wanted to show off my own model for a Book Talk Podcast.  My book was H.P. Lovecraft's At the Mountains of Madness, a fine sample of speculative fiction--but don't take my word for it: click on the book cover's image at the left, download the podcast, and (vicariously) experience it for yourself!